Wednesday, December 11, 2013

For Writers Only: An Open Letter From the Authors Guild

Earlier this year, I became a member of the Authors Guild. I wanted to be a part of this organization because I feel they promote author welfare like no other, especially on the legal front. This morning I found this in my inbox with a message asking me to share it. I'm interested in your thoughts on the content. If you agree with the content, you should join the Authors Guild to support their cause. But, more importantly, if you DON'T agree with the content, maybe you should join, too. Because this organization calls itself the "Authoritative Voice of American Writers", and if all types of American writers don't join, their voices won't be heard.

You can learn more about the Authors Guild here: http://www.authorsguild.org.

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An Open Letter to My Fellow Authors

It’s all changing, right before our eyes. Not just publishing, but the writing life itself, our ability to make a living from authorship. Even in the best of times, which these are not, most writers have to supplement their writing incomes by teaching, or throwing up sheet-rock, or cage fighting. It wasn’t always so, but for the last two decades I’ve lived the life most writers dream of: I write novels and stories, as well as the occasional screenplay, and every now and then I hit the road for a week or two and give talks. In short, I’m one of the blessed, and not just in terms of my occupation. My health is good, my children grown, their educations paid for. I’m sixty-four, which sucks, but it also means that nothing that happens in publishing—for good or ill—is going to affect me nearly as much as it affects younger writers, especially those who haven’t made their names yet. Even if the e-price of my next novel is $1.99, I won’t have to go back to cage fighting.
 
Still, if it turns out that I’ve enjoyed the best the writing life has to offer, that those who follow, even the most brilliant, will have to settle for less, that won’t make me happy and I suspect it won’t cheer other writers who’ve been as fortunate as I. It’s these writers, in particular, that I’m addressing here. Not everyone believes, as I do, that the writing life is endangered by the downward pressure of e-book pricing, by the relentless, ongoing erosion of copyright protection, by the scorched-earth capitalism of companies like Google and Amazon, by spineless publishers who won’t stand up to them, by the “information wants to be free” crowd who believe that art should be cheap or free and treated as a commodity, by internet search engines who are all too happy to direct people to on-line sites that sell pirated (read “stolen”) books, and even by militant librarians who see no reason why they shouldn’t be able to “lend” our e-books without restriction. But those of us who are alarmed by these trends have a duty, I think, to defend and protect the writing life that’s been good to us, not just on behalf of younger writers who will not have our advantages if we don’t, but also on behalf of readers, whose imaginative lives will be diminished if authorship becomes untenable as a profession.

I know, I know. Some insist that there’s never been a better time to be an author. Self-publishing has democratized the process, they argue, and authors can now earn royalties of up to seventy percent, where once we had to settle for what traditional publishers told us was our share. Anecdotal evidence is marshaled in support of this view (statistical evidence to follow). Those of us who are alarmed, we’re told, are, well, alarmists. Time will tell who’s right, but surely it can’t be a good idea for writers to stand on the sidelines while our collective fate is decided by others. Especially when we consider who those others are. Entities like Google and Apple and Amazon are rich and powerful enough to influence governments, and every day they demonstrate their willingness to wield that enormous power. Books and authors are a tiny but not insignificant part of the larger battle being waged between these companies, a battleground that includes the movie, music, and newspaper industries. I think it’s fair to say that to a greater or lesser degree, those other industries have all gotten their asses kicked, just as we’re getting ours kicked now. And not just in the courts. Somehow, we’re even losing the war for hearts and minds. When we defend copyright, we’re seen as greedy. When we justly sue, we’re seen as litigious. When we attempt to defend the physical book and stores that sell them, we’re seen as Luddites. Our altruism, when we’re able to summon it, is too often seen as self-serving.

But here’s the thing. What the Apples and Googles and Amazons and Netflixes of the world all have in common (in addition to their quest for world domination), is that they’re all starved for content, and for that they need us. Which means we have a say in all this. Everything in the digital age may feel new and may seem to operate under new rules, but the conversation about the relationship between art and commerce is age-old, and artists must be part of it. To that end we’d do well to speak with one voice, though it’s here we demonstrate our greatest weakness. Writers are notoriously independent cusses, hard to wrangle. We spend our mostly solitary days filling up blank pieces of paper with words. We must like it that way, or we wouldn’t do it. But while it’s pretty to think that our odd way of life will endure, there’s no guarantee. The writing life is ours to defend. Protecting it also happens to be the mission of the Authors Guild, which I myself did not join until last year, when the light switch in my cave finally got tripped. Are you a member? If not, please consider becoming one. We’re badly outgunned and in need of reinforcements. If the writing life has done well by you, as it has by me, here’s your chance to return the favor. Do it now, because there’s such a thing as being too late.

Richard Russo
December 2013
 
 
 
 

7 comments:

  1. Last I checked, the writer's guild didn't take indie authors.

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    Replies
    1. They do now! I am a member, and I am only self-published, not even hybrid.

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  2. I believe, that if you own the book already, its in that designated spot on your bookshelf: then the worldwide portability of that book should be allowed in your hands for a fair price, cheap, or through a free giveaway from the publisher. Having to choose between ebook or paper at times (lets be real, some of the best books [or series] can get really, really heavy to carry around,weightwise..not metaphysically, tho of course we carry that around too) has been the bane of my reading enjoyment since joining the e-reader community. Which do i choose over? Paper, which can easily be damaged, lost, or even stolen as well - or something that is available for re-download after the first initial payment has been made. Have I ever went out and bought a book or series after checking them out from a library? YES, nearly all the time other than T-Witches, I enjoy the movies more than the books, and those are on freely on the Family Channel at least once a year (& I still watch them everry year). To be less cynical, the first time I read Island of the Aunts by Eva Ibbotson was the first week of Grade Seven, I loved it so much that immediatly after reading the last word I turned right back to the first and started over. But I never bought the book till I was 22. Didnt mean I didnt love it less, cherished it even more in fact. Even The Soulkeepers series, the first book was free on this past summer on Kobo but I paid for the rest through months of patience and utilizeing high value coupons, I even bought them months in advance at times before reading just so I would be able have them for that particular price (and be able to read them all in one go once Lost Eden was released, I think the Nov. RD was first mentioned in August or something?). But does that mean i didnt love the book(s) initially, or even less, for what I paid for then? Of course not, its just the opposite. And isnt that what all readers just want to know about their work, wether its loved just as much by the reader as it is to the reader? Even if a million people didnt pay, one of their friends is going to see it and go out and buy it, love it, be a part of it just as much as the writer could ever want them to be.

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  3. *And isnt that what all w r i t e r s want to know I meant.
    Also, illegal downloading is wrong. But we all participate in some ways, a ringtone, a movie, even the Hiltons probably. Art isnt free, but the love of it is. And eternal, who can put a price on that? The publisher? The author, or you yourself?

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